Release:
TBA Q1 2018
Director:
Brian O'Malley
Cast:
Bill Milner (X: First Class, Locke)
Charlotte Vega (Another Me)
David Bradley
Genre:
Horror
Year: 2017
A Première TV Distribution Release

The Lodgers


SYNOPSIS

Set in 1920’s Ireland, this gothic horror story centers on brother and sister twins who are forced to stay in their estate due to a secret family curse, which took the life of their parents. But when a young man falls in love with the sister, his attempt to free her of the curse creates a deadly chain reaction.


REVIEWS

  • Variety.com: Enchantingly gloomy and lustrous, this lushly staged costume chiller is a fragrant beauty indeed.
  • Cineuropa.org: O'Malley creates a lurid atmosphere by using cinematographer Richard Kendrick’s gentle camera movements and Tony Kearns’ measured editing to maximum effect, and even elevating the elements of the production design, such as the house and the menacing water, to the level of lively characters. The old, beautiful and broken mansion, with all its creaking noises and its huge wooden staircase, is allegedly a real-life haunted house, while the water the ghostly creatures live in, emerging from down below and rushing up to the ceiling in drops, looks impressive in CGI, making The Lodgers a must-see for fans of gothic horror cinema.
  • Comingsoon.net: here hasn’t been a more effective, disturbing and sensorially pleasing film of this kind since Alejandro Amenabar’s The Others and, like that masterpiece, O’Malley’s artful, lurid and meticulously orchestrated exercise in atmosphere, pretty misery and dread seeps deep under your skin. And it stays there. For keeps.
  • Digitaljournal.com: ‘The Lodgers’ is a chilling, gothic tale of co-dependent twins imprisoned by a family curse.
  • Dreadcentral.com: Delicately crafted, The Lodgers is a richly woven tapestry of classically inspired gothic horror. Smart, scary, and undeniably beautiful, it will no doubt be considered one of the pinnacles of its genre.
  • Thefilmstage.com: So we let the atmospheric mood draw us into the horror as mystery makes way towards scares. The whole looks gorgeous from the macabre carcasses of long-dead pets to the image of two bodies silently floating above the lake as O’Malley holds our attention with the rising malevolence executed by Milner and inspiring desire to take hold of her destiny imbued by Vega. That which frightens them is left shrouded in secrecy beyond the connection to their blood and the result their disobedience secures.

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